When National Grid approached me to commission a photograph of the iconic Flying Scotsman, several key factors came to mind to ensure a successful shoot: location, timing, and camera angles.
As with any project, my first priority is to meet the client’s core expectations before adding a creative touch. This is where hiring a professional really makes the difference—ensuring you get the shot you need.
Since the train would pass at a specific time with no chance for a second attempt, maximizing my chances for success was essential. After a brief but helpful conversation with the client, who suggested several shooting locations, I developed a plan. I decided on a two-camera setup: the first, a Nikon D800, mounted on a sturdy tripod at a height of about two meters, positioned as close to the railway boundary as possible. I paired it with a Nikkor 14-24mm wide-angle lens set at 24mm, just peeking over a nearby hedge. This camera would be triggered remotely using a PocketWizard wireless system, linked to a second camera that I would hold by hand to capture an alternate angle.
With everything set, Aiden Precious, a member of the National Grid project team, and I waited patiently. Or rather, we stood in a wet field, keeping company with some curious cows! The glamorous life of a photographer, indeed—sometimes, I have to remind myself how lucky I am.
Soon, the familiar whistle of the steam engine filled the air, followed by the unmistakable plume of smoke from a bygone era. In no time, the Scotsman rushed past. I framed the shot, panning and tracking as the train moved through our location.
Once the train passed, I checked the D800 on the tripod. The results were fantastic, and when I delivered the final shots to the client, they were thrilled with the outcome.
Mission accomplished, and the client was over the moon. On to the next adventure!
